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Kajol’s ‘Maa’ Set in the Shaitaan Universe: A New Chapter with a Personal Twist

By Agamveer Singh , 21 June 2025
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Bollywood star Kajol is gearing up for her latest role in Maa, a supernatural spin-off set in the same universe as Shaitaan, the 2023 horror-thriller starring Ajay Devgn and R. Madhavan. While Shaitaan 2 is still in the pipeline, Maa expands the cinematic universe, placing Kajol at the forefront of its eerie narrative. As she promotes the film, Kajol offered a rare glimpse into her personal life, revealing that her children, Nysa and Yug, struggle to watch her emotional scenes on screen. Their heartfelt discomfort with seeing their mother in distress speaks to the intimate impact cinema can have beyond the marquee.

Expanding the ‘Shaitaan’ Universe

Following the critical and commercial success of Shaitaan, expectations have been mounting for its sequel. Instead, audiences will first witness a fresh installment titled Maa, described as a spiritual companion piece rather than a direct continuation. While plot specifics remain under wraps, Kajol’s presence in the lead role signals a shift in tone—possibly more emotionally charged—anchored by her signature intensity and screen presence.

This development reflects a growing trend in Bollywood to build interconnected cinematic universes, offering viewers a tapestry of interrelated stories that share thematic and narrative DNA.

Kajol Steps Into a Darker Role

Kajol, known for her dynamic range across romantic, dramatic, and comedic roles, steps into supernatural territory with Maa. Her involvement adds a compelling layer to the Shaitaan universe, promising a performance that blends maternal vulnerability with steely resilience. This is a departure from her more light-hearted characters and demonstrates a deliberate effort to challenge herself as an artist.

The film's promotional campaign appears to be steering into these emotional undercurrents—an effective move, given Kajol’s natural ability to connect with audiences on a visceral level.

The Family Perspective: Nysa and Yug’s Honest Reactions

In a candid moment during her promotional tour, Kajol revealed that her children, Nysa and Yug, are uncomfortable watching her films—especially those that require her to cry on screen. “They become really quiet when they see me upset in a film,” she shared in an interview with Filmygyan. Despite her reassurances that it’s all make-believe, her children remain visibly affected.

This insight humanizes the actress, offering a glimpse into the emotional realities that come with being a public figure and a parent. It’s a rare confession in an industry often guarded about personal life, and it highlights the emotional entanglements between art and family.

Building a Universe with Emotional Resonance

With Maa, the filmmakers appear to be crafting more than just a horror narrative—they’re constructing a story that relies on emotional stakes, familial bonds, and psychological suspense. Kajol’s own experience as a mother, as evidenced by her children’s reactions, may inform her performance with deeper authenticity.

As Bollywood evolves to accommodate long-form storytelling through cinematic universes, personal stories like Maa offer a compelling reason for audiences to invest not just in characters, but in their emotional journeys.

Conclusion: A Universe Rooted in Emotion and Fear

The release of Maa marks a significant evolution for the Shaitaan franchise, moving beyond the typical trappings of horror to explore maternal fear and love under supernatural strain. With Kajol leading the charge, and real-life insights adding depth to her on-screen presence, Maa stands poised to become more than just another horror flick—it may well be a study in emotional endurance.

Kajol’s vulnerability, both in the film and in real life, offers a refreshing counterpoint to the genre’s usual fare. It’s a reminder that even in fictional worlds of terror, real emotions remain the most haunting of all.

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  • Bollywood
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